1. 19 hours ago 
    Ahead of the release of ‘FutureWorld’, a multimedia release on Slim Audio which contains video, art and music from Jeroen Search, Ed Davenport, Markus Suckut, XDB & more, we had a brief chat with Panorama Bar resident and curator of the FutureWorld project, Oliver Deutschmann. Can you tell us a little bit about where you grew up and what sounds were dominating your soundsystem at home growing up as a kid? I grew up in a little village in South Germany in the Black Forest. The village has around 200 inhabitants. So, I guess you can call it very small. In my early childhood I was a huge Madonna and Michael Jackson Fan. My whole room was full of posters of them. As a kid I discovered Hardcore, Death Metal and all kinds of Underground stuff like EBM, Doomrock and so on. I never wanted to listen to the same commercial shit as most of my classmates did. It was pretty hard to defend that taste in that area. Sometimes I even had to fight for that attitude, fucking dumb rednecks, hehe.  At what point did you realize that this is what you wanted to do? Was there a specific turning point in your life that changed everything? Music was always the most important part of my life. So, I always wanted to make a life out of it. But I wasn’t brave enough to make that step. I studied and worked but I was never really happy with that kind of life. One day I came home from a very good boat party here in Berlin. I can’t remember who played there (for some reason) but I was flashed. It was a turning point in my life. I realized, that eating, sleeping and living Techno and House music is what I want to do. Without compromise. Since this day I am the happiest guy on this world. Tell us a little bit about your residency at Panorama Bar, how did it come about? Obviously with the success of Berghain and Panorama Bar it is normally a topic that is focused on quite a bit in interviews with resident Djs and guests but can you tell us about your most memorable experience there and why you love to play there? I was a long time guest there, also in the former Ostgut Club. And of course it was always my dream to spin vinyl there. So, I started to work for that dream. Gave them Mix-CDs and got on their nerves. The owners also liked what we did with vidab records. So, they booked us for our first label night in January 2008. I had a lot of memorable experiences there, its hard to pick out one. Before playing there for the first time I went to a Kompakt night and Michael Mayer dropped a track from my gowentgone project. I just couldn’t believe it, this is my track and a packed Panorama Bar was dancing to it. This was one of the most intense moments in my life. Playing there for 4 or more hours gives you a lot of freedom to play tracks you would never play anywhere else. It also gives you the option to build up slow or play different styles in one set. You don’t have that option in other clubs when you ‘just’ have the peak time slot and thats nearly always around 2 hours. But it’s also a big challenge to keep a big floor like this running for such a long time. That’s why I love it! Your productions seem to be getting better and better and the labels are testament to that, tell us about some of the different people you have been working with and what they all bring to the process? Thanks for your words. Because of my labels I have the possibility to work with people I adore or I am a fan of. All of the people who produce for vidab, Falkplatz or Slim Audio bring their strength and power to the labels through their music and their personality. I am just very proud of having established people like Marcel Dettmann, Jerome Sydenham, Ed Davenport or XDB and on the other hand upcoming talents like Markus Suckut, Tres Puntos or Tomas Svensson on my labels. All of them stand for a unique and powerful sound, for a kind of underground dance music that I love so much. Tell us about ‘FutureWorld’, what is special about this project? Futureworld is the first release on Slim Audio, a new record label that is run by James Blonde, Elie Eidelman and myself. On Slim Audio we want to release Compilations twice a year with exclusive, unreleased tracks mixed in a Dj-Set combined with movie and video or a visualization of the musical theme.  As I said, Futureworld will be the first release in this series and is also my vision of such a multimedia package. As I explained, there will be only exclusive tracks from artists like XDB, Ed Davenport, Markus Suckut, Moomin & Christopher Rau to name just a few. The guys from the29nov films will deliver a mix long videoclip to this and graphic designer David Nötzel is responsible for the look. So, when I look now on the finished package I have to say that I am really proud about the work of all the artists who contributed their work here. This is what that label and project is about, something that catches your ears, your eyes and your heart.Check out this mix by Oliver on his Soundcloud:http://soundcloud.com/oliverdeutschmann/oliver-deutschmann 

    Ahead of the release of ‘FutureWorld’, a multimedia release on Slim Audio which contains video, art and music from Jeroen Search, Ed Davenport, Markus Suckut, XDB & more, we had a brief chat with Panorama Bar resident and curator of the FutureWorld project, Oliver Deutschmann.

    Can you tell us a little bit about where you grew up and what sounds were dominating your soundsystem at home growing up as a kid?


    I grew up in a little village in South Germany in the Black Forest. The village has around 200 inhabitants. So, I guess you can call it very small. In my early childhood I was a huge Madonna and Michael Jackson Fan. My whole room was full of posters of them. As a kid I discovered Hardcore, Death Metal and all kinds of Underground stuff like EBM, Doomrock and so on. I never wanted to listen to the same commercial shit as most of my classmates did. It was pretty hard to defend that taste in that area. Sometimes I even had to fight for that attitude, fucking dumb rednecks, hehe. 

    At what point did you realize that this is what you wanted to do? Was there a specific turning point in your life that changed everything?


    Music was always the most important part of my life. So, I always wanted to make a life out of it. But I wasn’t brave enough to make that step. I studied and worked but I was never really happy with that kind of life. One day I came home from a very good boat party here in Berlin. I can’t remember who played there (for some reason) but I was flashed. It was a turning point in my life. I realized, that eating, sleeping and living Techno and House music is what I want to do. Without compromise. Since this day I am the happiest guy on this world.

    Tell us a little bit about your residency at Panorama Bar, how did it come about?

    Obviously with the success of Berghain and Panorama Bar it is normally a topic that is focused on quite a bit in interviews with resident Djs and guests but can you tell us about your most memorable experience there and why you love to play there?


    I was a long time guest there, also in the former Ostgut Club. And of course it was always my dream to spin vinyl there. So, I started to work for that dream. Gave them Mix-CDs and got on their nerves. The owners also liked what we did with vidab records. So, they booked us for our first label night in January 2008. I had a lot of memorable experiences there, its hard to pick out one. Before playing there for the first time I went to a Kompakt night and Michael Mayer dropped a track from my gowentgone project. I just couldn’t believe it, this is my track and a packed Panorama Bar was dancing to it. This was one of the most intense moments in my life.
    Playing there for 4 or more hours gives you a lot of freedom to play tracks you would never play anywhere else. It also gives you the option to build up slow or play different styles in one set. You don’t have that option in other clubs when you ‘just’ have the peak time slot and thats nearly always around 2 hours. But it’s also a big challenge to keep a big floor like this running for such a long time. That’s why I love it!

    Your productions seem to be getting better and better and the labels are testament to that, tell us about some of the different people you have been working with and what they all bring to the process?


    Thanks for your words. Because of my labels I have the possibility to work with people I adore or I am a fan of. All of the people who produce for vidab, Falkplatz or Slim Audio bring their strength and power to the labels through their music and their personality. I am just very proud of having established people like Marcel Dettmann, Jerome Sydenham, Ed Davenport or XDB and on the other hand upcoming talents like Markus Suckut, Tres Puntos or Tomas Svensson on my labels. All of them stand for a unique and powerful sound, for a kind of underground dance music that I love so much.

    Tell us about ‘FutureWorld’, what is special about this project?


    Futureworld is the first release on Slim Audio, a new record label that is run by James Blonde, Elie Eidelman and myself. On Slim Audio we want to release Compilations twice a year with exclusive, unreleased tracks mixed in a Dj-Set combined with movie and video or a visualization of the musical theme. 

    As I said, Futureworld will be the first release in this series and is also my vision of such a multimedia package. As I explained, there will be only exclusive tracks from artists like XDB, Ed Davenport, Markus Suckut, Moomin & Christopher Rau to name just a few. The guys from the29nov films will deliver a mix long videoclip to this and graphic designer David Nötzel is responsible for the look. So, when I look now on the finished package I have to say that I am really proud about the work of all the artists who contributed their work here. This is what that label and project is about, something that catches your ears, your eyes and your heart.

    Check out this mix by Oliver on his Soundcloud:

    http://soundcloud.com/oliverdeutschmann/oliver-deutschmann





     

     
  2. Notes: 4 / 1 day ago  from doompig (originally from evilfromtheneedle)
    doompig: evilfromtheneedle: Testing, testing. So hopefully this will have posted on the new Evil From the Needle tumblr! Come follow us at evilfromtheneedle.tumblr.com (Taken with instagram) Go follow the shop’s tumblr and see cool stuff by myself and all the rad homies I work along side.

    doompig:

    evilfromtheneedle:

    Testing, testing. So hopefully this will have posted on the new Evil From the Needle tumblr! Come follow us at evilfromtheneedle.tumblr.com (Taken with instagram)

    Go follow the shop’s tumblr and see cool stuff by myself and all the rad homies I work along side.

     
  3. Notes: 6442 / 1 week ago  from 1time4yamind (originally from jame-ss)

    (Source: jame-ss)

     
  4. Notes: 49 / 1 week ago  from 1time4yamind

    (Source: 1time4yamind)

     
  5. 4 weeks ago 

    Check out this great video with Ben Klock!

    Ben will play a 6 hour set for VOID at Cafe 1001 this Sunday and is joined by Tommy Four Seven who makes a rare trip back to his hometown of London.

    If you haven’t yet got tickets for the event then have a look at the links below to make sure you secure your place on the floor!

    Did I mention he was playing 6 hours?

    Think I might have…

    http://www.facebook.com/events/324619417594141/
    http://www.residentadvisor.net/forum-read.aspx?id=185108     

    (Source: youtube.com)

  6. Notes: 3 / 1 month ago 
    So…less than one week to go till our massive Bank Holiday Sunday party!We have Tommy Four Seven joining us from Berlin and is back in his hometown of London for a rare performance.We have also given our headliner a whopping 6 hours to do his thing, which means this is the longest set Ben has played in our glorious capital. To say we are a little bit excited is a bit of an understatement!A few tickets are still available from Resident Advisor, just click the photo above to purchase.See you all on the floor!Ben Klock, Tommy Four Seven, Kontrol Room, Jay Clarke, Randolph, Maker & Mayer, Billy Allen & many more… 

    So…less than one week to go till our massive Bank Holiday Sunday party!

    We have Tommy Four Seven joining us from Berlin and is back in his hometown of London for a rare performance.

    We have also given our headliner a whopping 6 hours to do his thing, which means this is the longest set Ben has played in our glorious capital. To say we are a little bit excited is a bit of an understatement!

    A few tickets are still available from Resident Advisor, just click the photo above to purchase.

    See you all on the floor!

    Ben Klock, Tommy Four Seven, Kontrol Room, Jay Clarke, Randolph, Maker & Mayer, Billy Allen & many more… 

    (Source: residentadvisor.net)

     
  7. 1 month ago 
    Dont forget you can now keep up to date with and follow our record label using Facebook and Twitter.Facebook - www.facebook.com/candelarising Twitter -  @candela_risingAlso make sure you check out our artists (Jeroen Search & Moerbeck) on Facebook! 

    Dont forget you can now keep up to date with and follow our record label using Facebook and Twitter.

    Facebook - www.facebook.com/candelarising


    Twitter -  @candela_rising

    Also make sure you check out our artists (Jeroen Search & Moerbeck) on Facebook!
     

     
  8. 1 month ago 
    Make sure you keep up to date with our record label by following our label tumblr at:http://candelarising.tumblr.com/Our first release will be Vinyl only and hitting stores in the Summer.3 original tracks by Moerbeck of Vault Series and a superb remix by a personal hero of mine, Jeroen Search.For more info please click the photo above… 

    Make sure you keep up to date with our record label by following our label tumblr at:

    http://candelarising.tumblr.com/

    Our first release will be Vinyl only and hitting stores in the Summer.

    3 original tracks by Moerbeck of Vault Series and a superb remix by a personal hero of mine, Jeroen Search.

    For more info please click the photo above… 

     
  9. Notes: 1 / 1 month ago 
    Twin Sister & VOID presents a special Bank Holiday event at Cafe 1001 devoted to those who love techno. To celebrate the long weekend, we’ll be throwing a late license event from til 10am with two international headliners.What is VOID about? Influenced by the sounds of Berlin, VOID is a showcase for local London artists in collaboration with our international guests. The music policy is techno only & our DJ’s are allowed to play without restraint or inhibitions. It is this mentality to music that has forged a strong relationship between VOID & Twin Sister; a no-holds barred approach to techno….Come join us for the biggest bank holiday party in East London! SUNDAY 6TH MAY at CAFE 1001. Line-up / Main Room:Ben Klock (Ostgut Ton/Klockworks)Tommy Four Seven (CLR)Kontrol Room (BCR/VOID)Jay Clarke(VOID)Randolph (VOID)Maker & Meyer (VOID)Billy Allen (CANDLELIGHT)Gareth Wild (EARTOGROUND)Johnny WrongDavid ChungSimon BrandrethAshley BorgFront Room:XI (UK) (Slash Dot Dash)Tom Scratch (Ripped)Tom DuncalfEmily Goddard^^^CLICK ABOVE PHOTO FOR TICKETS^^^

    Twin Sister & VOID presents a special Bank Holiday event at Cafe 1001 devoted to those who love techno. To celebrate the long weekend, we’ll be throwing a late license event from til 10am with two international headliners.

    What is VOID about? Influenced by the sounds of Berlin, VOID is a showcase for local London artists in collaboration with our international guests. The music policy is techno only & our DJ’s are allowed to play without restraint or inhibitions.

    It is this mentality to music that has forged a strong relationship between VOID & Twin Sister; a no-holds barred approach to techno….

    Come join us for the biggest bank holiday party in East London!


    SUNDAY 6TH MAY at CAFE 1001.

    Line-up /

    Main Room:
    Ben Klock (Ostgut Ton/Klockworks)
    Tommy Four Seven (CLR)
    Kontrol Room (BCR/VOID)
    Jay Clarke(VOID)
    Randolph (VOID)
    Maker & Meyer (VOID)
    Billy Allen (CANDLELIGHT)
    Gareth Wild (EARTOGROUND)
    Johnny Wrong
    David Chung
    Simon Brandreth
    Ashley Borg



    Front Room:
    XI (UK) (Slash Dot Dash)
    Tom Scratch (Ripped)
    Tom Duncalf
    Emily Goddard

    ^^^CLICK ABOVE PHOTO FOR TICKETS^^^

     
  10. Notes: 1 / 2 months ago 
    NOW AVAILABLE FROM ALL GOOD RECORD SHOPS, INCLUDING HARDWAX, PHONICA, BOOMKAT, CHEMICAL, JUNO…etc.Secluded - Dimension Secluded - Dimension (Jonas Kopp Remix)Secluded - ConfrontSecluded - Confront (Markus Suckut Remix)

    NOW AVAILABLE FROM ALL GOOD RECORD SHOPS, INCLUDING HARDWAX, PHONICA, BOOMKAT, CHEMICAL, JUNO…etc.

    Secluded - Dimension

    Secluded - Dimension (Jonas Kopp Remix)

    Secluded - Confront

    Secluded - Confront (Markus Suckut Remix)

     
avatar_128
 
 
The Candlelight Sessions was created to showcase music from across the globe for your listening pleasure.

With it's origins set in the ever inspiring haven of East London it has always been easy to find talented individuals to showcase their sound on the show. Candlelight has gone from strength to strength over the years and what started out as a show spawned by a collective of Dub and Techno DJ's it has now grown into a genre defying series with no limits.

Every month these sessions will provide you with a mix from Candlelight resident, Billy Allen, as well as a guest mix from Dj's across the globe. There will also be new tracks from featured artists, bands and producers spanning across all genres. If its good, it gets played, simple!





Please, Please, Please feel free to leave your shouts and comments on any of the pieces and please read the descriptions on each of our guest's mixes for useful info on each artist.


Being an artist doesn't take much, just everything you got. Which means, of course, that as the process is giving you life, it is also bringing you closer to death. But it's no big deal. They are one and the same and cannot be avoided or denied. So when I totally embrace this process, this life/death, and abandon myself to it, I transcend all this meaningless gibberish and hang out with the gods. It seems to me that that is worth the price of admission
 
 

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